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My Darkest Time

In this long-short personal story of having overcome a big challenge, Gaurav Jain says, “When you break your leg, you kn...

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Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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No place to hide

Humra  Quraishi writes this short story about a brother, who comes visiting his sister to...

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Celebrity endorsements hit by COVID-19

Indian Institute of Human Brands (IIHB) has released a report on celebrity compensation which states brands expect celebrity f...

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COVID-19: The hour of reckoning

Anupama Mandloi writes about how the Mumbai based organization YUVA, has engineered itself to help the disadvantaged during th...

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Applause: In conversation with Saiyami Kher

Khalid Mohamed in a frankspeak with Saiyami Kher, who has made a huge impact with her performance as a housemaker-cum-bank emp...

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For Name’s Sake: Bollywood’s penchant for screen names

Film historian, Dhruv Somani, traces the saga of leadin...

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Not really needed now!

Why talk about the past… why talk of the future. Who knows what more is there… yet to be seen! - Humr...

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