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The Flashback Experiment

Film historian Dhruv Somani revisits Cinema Cinema, the 1979 underappreciated documentary by Krishna Shah and Shahab Ahmed, on...

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INDIA AT CANNES 2022: RAMP-SHAMP! AIR KISSING AND ALL

It’s déjà vu time, one more time in the world’s most prestigious and revered film fest. Monojit Lahiri Read More

RENAMING AND SHAMING!

Humra Quraishi discusses the weapons of mass ‘distractions’ being used, by the Right-Wing forces, to deflect peopl...

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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

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Does art have a religion?

Recently there was a row over a Muslim Dancer named Mansiya, not being allowed to perform at a Kerala temple. Artists from various fields discu...

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The Soul Of Hindustan

Today Humra Quraishi brings alive the beauty of great urdu poetry translated by Sanjiv Saraf and flows to the soulful strains ...

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MERE PAAS MAA - SORRY, MOM HAI!!

Has ‘Hey Mom’ replaced ‘Mataji’ in B-town? On Mother’s Day, Monojit Lahiri discusses t...

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Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

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Speak, for your lips are still free…

As Eid-ul-Fitr is to  be  observed next week, let me write about one of my earlier meetings with the late Khwaja Hasan Sani Nizami, w...

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Rhythm ‘n’ Blues

Megha Ramaswamy’s documentary, The Last Music Store, entices Khalid Mohamed to stroll down the memory lanes of Rhythm Ho...

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