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Sardar Udham: The Shadow Man

Satyabrata Ghosh explains why the film Sardar Udham should be watched to fathom what undying love for one’s own country ...

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All about Eve: A History of the Hindi Film Heroine

All about Eve: A History of the Hindi Film HeroineThe more things change, the more they remain the same when it comes to the portrayal of women...

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Of Human Shields and Human Rights

In light of recent events in Srinagar’s Hyderpora in Kashmir, where it is alleged that civilians were used as human shields, Humr...

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A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

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Mahishasur Marddini: Endless Night…

Filmmaker Ranjan Ghosh speaks to Shantanu Ray Chaudhuri about his soon-to-be-released film…

Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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A Few Bad Men (and Women): The Journey of the Villain in Hindi Cinema

National Award-winning Balaji Vittal speaks to Shantanu Ray Chaudhuri on his new book, Pure Evil: The Bad Men of Bollywood

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Hinduism, not Hindutva, was Nehru’s idea of India

Let us not be in any illusion. Being complacent basis the belief that there’s any sensitivity left in the discourse would be wrong, write...

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In the land of the capitalists

‘Battleship Potemkin’ was premiered at the historic Bolshoi Theatre auditorium in Moscow on December 21, 1925, writes Monis...

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Signs of the time: For God’s Sake, Be Human!

This week Humra Quraishi questions politicians and lays out bare facts – about human rights and political mischief that ...

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