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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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In 1995, Ashish Balram Nagpal, an art connoisseur, made a film called Adha Adhura which was way too progressive. In the film, Ashish Balram Nagpal, a billionaire businessma...
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Wikimedia editors are considering a move to gender-neutral pronouns as default policy on some of the network's pages in hopes of becoming a more inclusive community. The mo...
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I am a 12-year-old girl living in Portland. I have recently found out about the U.N. Women campaign called He For She. He For She is trying to achieve gender equality in th...
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MUMBAI, 23 March, 2017: The Indian print media has long enjoyed a strong readership base and a handsome share of the advertising budget. However, with the advent of disrupt...
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MUMBAI, 21 March 2017: Experts from the M&E industry and senior Government officials did a reality check with private sector players discussing ways to monetize consump...
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Sometime in late June of 2011, I sat down at a Thai restaurant in Williamsburg with then-deputy editor Sean Yeaton. I'd been badgering him for months over email to give me ...
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A damask napkin with a sketch of a woman's back, waist and "big arse" – souvenir from a tryst, most likely, with former lover, Italian film director Federico Fellini....
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An article of mine on the “Technologies of Taste” has just come out in Technology & Society, a publication of the Institute of Electrical and Electronics En...
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Assistant Lifestyles Editor Devna Bose visited the 2017 Oxford Film Festival and asked festival-goers about what they were most looking forward to, their favorite part of t...
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With themes ranging from caste and culture, the cries of disgruntled Maruti workers to the lives of literary giants, the fifth Chennai Short Film and Documentary festival p...
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