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ACTING, LYING, AND THE TRUTH
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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA PART ONE: EPIC RETELLING
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Search ResultTHOUGHT FACTORY: PATRIARCHY DENIAL AND BLIND SPOTS
Finance Minister Nirmala Sitharaman’s patriarchy denial stresses the need for a shift from hyped nationalism to inclusive patriotism, the...
Read MoreTRENDING: THE GRIM REALITY ON CHILDREN’S DAY
"On Children’s Day, let’s demand more than speeches—address India’s missing children crisis, rising child trafficking, ...
Read MorePOLITICS: AMERICA’S ELECTION SIGNALS SHIFT
“I’m viewing the 2024 U.S. election through the lens of economic concerns, media influence, and social media’s role in shaping political narratives amidst...
Read MoreBOLLYWOOD: SHAH RUKH KHAN’S STORYTELLING DILEMMA
Exploring Shah Rukh Khan's film trajectory, from his anti-hero edge to pandering to the male gaze, questioning the ethical lines blurred in Bol...
Read MoreGENDER: CAN WOMEN BE ‘EFFECTIVE’ LEADERS?
Monojit Lahiri revisits the rhetorical question and jumps across to a few women for their responses on why hasn’t the eq...
Read MoreTRENDING: EPISTLES FROM LOLAB VALLEY
A heartfelt tribute to a lifelong friend who offered strength, laughter, and loyalty, sharing memories from film sets to letters from Lolab Val...
Read MoreTHOUGHT FACTORY: A LEGACY OF WAR AND INNOCENCE
In a world that promised an end to fascism and brutality, we see nations embroiled in modern ethnic cleansings, where civilians, including chil...
Read MoreTRENDING: GAJRA KOTTARY’S STORYTELLING JOURNEY
Gajra Kottary, screenwriter and author, balances the demands of Indian television with profound novels and short stories, challenging social no...
Read MoreTRENDING: EVERYTHING WE DESIRE IS ON THE OTHER SIDE OF FEAR
Discover how Nancy Katyal’s Commit to Yourself offers practical strategies for personal growth, breaking free from toxic pattern...
Read MoreFESTIVALS: SHABANA AZMI AND VIDYA BALAN AT MAMI
In an unforgettable dialogue at MAMI Mumbai Film Festival 2024, Shabana Azmi and Vidya Balan explored acting, cinema, and the emotional intensi...
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