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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultAnd a New Year is about to begin…
It is the good times of the past that inspire us to look forward to the coming year, for there is little in the events of 2021 that give any co...
Read MoreI want to work on daydreaming: Sadiya Siddiqui
Aparajita Krishna has a long extensive conversation with Sadiya Siddiqui, whose journey is full of stories to tell.
Shakespeare in Bollywood
Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...
Read MoreMemories of an advertising man…
In this fascinating first-person-account, Monojit Lahiri, known for his Bollywood-driven opinion pieces, tracks the changing c...
Read MoreA look back at Mira Nair’s tale of Home: Mississippi Masala
Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...
Read MoreNothing is funny in one India
Humra Quraishi remembers what Zakia Jafry had once said to give context to the violence spreading across India today and why t...
Read MoreClaude Chabrol and The Poetics of Murder
My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...
Read MoreSoumitra Chatterjee: The Legend Lives On
Legendary actor Soumitra Chatterjee passed away on 15 November 2020. To mark the first anniversary, Shantanu Ray Chaudhuri wri...
Read MoreA Life in Translation: Gita Krishnankutty
Gita Krishnankutty is a name inextricably intertwined with the history of Malayalam translations into English, writes Janaky Sreedharan...
Read More‘The Poetic Minimalism’ of Abbas Kiarostami
Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...
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