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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultALTERNATIVE ENTERTAINMENT: A POETIC DOCUMENTARY
This week it is O.P. Srivastava's tryst with temporality as he remembers Mani Kaul's documentary film, a masterpiece, Siddhesh...
Read MoreBOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?
Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...
Read MoreBOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR
Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...
Read MoreALTERNATIVE CINEMA: THE CINEMA OF SOUND & CUT
"The Zone of Interest" and the cinema of sound and the cut is what Sharad Raj explores as he shares his personal experience wh...
Read MoreMOVIES: HERE’S WHAT RANJAN DAS RECOMMENDS





From Tarantino’s Inglourious Basterds, Kinatay & the Filipino Underbelly, to Justine Triet, Kieslowski and an American-Iranian, check...
Read MoreTRENDING: WELCOME TO ‘OK, TATA BYE BYE’
Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...
Read MoreFESTIVALS: THE SUN SHINES ON SUNNY DA DHABA
We’re thrilled to start the column ‘Zaikak’ with Siddharth Kak, author, documentary filmmaker, presenter, food critic and wel...
Read MoreTHOUGHT FACTORY: THE NSD AGENDA – SOUL–STRIP…OR DRAMABAZI?
Monojit Lahiri does an interview-based close-up of the contentious issue of training and investigates if it helped actors brea...
Read MoreALTERNATIVE ENTERTAINMENT: TAPAN SINHA’S EK DOCTOR KI MAUT
Tapan Sinha’s Ek Doctor Ki Maut (1990) shows how scientific research and innovation is not given its due in India, and how professional j...
Read MoreMOVIES: TALE OF AN UNBELIEVABLE FILM





The film failed to receive the expected response from the audience at the time of release. But slowly audiences and critics began to appreciate...
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