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IDENTITY, IDENTIFICATION AND THE FUEL OF TIME’S FURNACE

Humra Quraishi writes, “It’s August and focus is on Kashmir. On 5 August 2019, the status of Jammu and Kashmir was altered by revok...

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THE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD

The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...

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HOW CAN YOU CELEBRATE WHEN YOUR COUNTRY BURNS?

The video surfacing reveals the torture and humiliation that not just the two women faced but thousands in Manipur have while the government re...

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RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

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'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

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ORIGINAL AND KICKASS: KAINAZ JUSSAWALLA

Sixteen original, kickass quotes and phrases from award-winning author Kainaz Jussawalla’s new juicy and unfilte...

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DEMOCRACY AND DISSENT

Taking off from Vinod Pande’s latest piece from his YouTube series, ‘Off the Cuff, in which he talks about Rahul Gandhi, Humra Qura...

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HOW WILL I KNOW PEACE

Humra  Quraishi revisits the artist Satish Gujral and his words, as she tries to make sense of the polarisation and lack ...

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WE ARE SISTERS BORN

Humra  Quraishi recalls important conversations, she has had over the years with various people, twenty-one years after t...

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MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

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