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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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THAT CLOSE ENCOUNTER WITH FRANCOIS TRUFFAUT
Khalid Mohamed rewinds way back to 1977 to a face-to--face conversation with Francois Truffaut, one of the ma...
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POWER, PRIVILEGE, AND OUR SILENCE
A searing reflection on the Epstein revelations and what they expose about unchecked power, privilege, and the illusion of democracy—ques...
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AMITABH BACHCHAN: HINDI CINEMA’S DARK EDGE
The Greatest villain that Hindi films could not have…though one is not complaining about what one got instead. Sharad Raj explor...
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PARALLEL LIVES BETWEEN THEATRE & CORPORATE WORLDS
In this candid conversation, interviewer Vinta Nanda speaks with Prakash Vaswani about theatre, corporate life, cultural reviv...
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TWO-CHILD NORM ENDANGERS CHILDREN AND DEMOCRACY
A shocking murder in Maharashtra exposes the dangers of India’s two-child norm, as Population Foundation of Indi...
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BOLLYWOOD FAME, FORGOTTEN STARS, CAUTIONARY TALES
Today Mumbai’s film actors have wised up to the fact that fame and fortune don’t last forever. Several yesteryear doom-laden storie...
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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE
An intimate evening at Seagull Studio where Ashish Vidyarthi transforms personal memory into performance, revealing the power of storytelling, ...
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POWERFUL PEOPLE: 55 YEARS ON, MERE APNE’S RELEVANCE
Khalid Mohamed in conversation with the indefatigable poet, lyricist, story-script-writer and film director Gulzar Read More
TRENDING: THE QUIET POWER OF COSTUMES
Costume designer Pia Benegal reflects on why her craft remains invisible, how clothes shape character and narrative, and why a...
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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE
Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...
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