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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultFESTIVALS: SMALL WITH A BIG HEART!
"Aishwarya Restaurant in Kothrud offers an authentic Gavran experience with flavourful, rustic Maharashtrian veg and non-veg thalis. Enjoy gene...
Read MoreBOLLYWOOD: FROM STAGE TO SCREEN AND OTHER MEDIUMS
Monojit Lahiri explores the complexities, highlighting the nuanced distinctions and unique challenges actors face when moving ...
Read MoreFESTIVALS: NANAD BHABHI TAKE UP THE CHALLENGE SAYS ZAIKAK
Homemakerz has achieved a reasonable retail turnover every month, in Mumbai, Pune, Goa, and Gujarat, and the good thing is that their online sa...
Read MoreBOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES
Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...
Read MoreACHIEVING CULT STATUS: MASSEY SAHIB
O.P. Srivastav brings Raghubir Yadav and Arundhati Roy's celebrated debut Massey Sahib, a 1985 Hindi drama, adaptation of Joyc...
Read MoreTRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA
In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...
Read MoreTAMAS: THE LIGHT OF TAMAS
Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...
Read MoreA MAVERICK MOVING SEAMLESSLY BETWEEN THE TRITE AND THE HALLOWED
Ranjan Das takes us on a visit to a phenomenon who left an indelible mark on viewers, Utpal Dutt, the maverick we continue to ...
Read MoreTHE MAGIC OF CHALTI KA NAAM HAI GAADI
Diamonds are forever. So are good movies. Comedy is a tough genre to handle, it requires extreme sensitivity, sense of timing and comprehensive...
Read MoreI WOULDN’T HAVE IT ANY OTHER WAY!
Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...
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