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AI DISRUPTS CINEMA AND IDENTITY
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BOLLYWOOD MODELS VERSUS ACTING DEBATE
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THE QUIET FIRE OF BECOMING
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STUDENT CITY PART 1
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SUI GENERIS: TEDxNMIMS RETURNS
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THROUGH AN EYE CURIOUSLY INTERVIEW
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MAMATA BANERJEE FACES DEFINING BATTLE
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PROGRESSIVE WRITERS ASSOCIATION 90 YEARS
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BHOOTH BANGLA REVIEW: MISSED COMIC HORROR
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ESCAPING INTO REALITY: KETAKI SHETH
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FESTIVALS: CINEMA ENDURES BECAUSE ARTISTS PERSIST
A powerful three-day gathering in New Delhi explored cinema’s endurance against censorship, showcasing suppressed films, bold conversatio...
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FESTIVALS: PRITHVI FESTIVAL 2025 IGNITES MUMBAI
From powerful new plays and musical symphonies to dance, dastangoi, workshops, and global theatre screenings, Prithvi Festival 2025 celebrates ...
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BUSINESS: ROHIT ARYA & WHEN DREAMS TURN DESPERATE
Rohit Arya & When Dreams Turn Desperate, by Sharad Raj, explores the fragile world of struggling actors in India’s film industry&mdas...
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BOLLYWOOD: WHEN THE STAR MEETS A MEMORY
This one revisits Shah Rukh Khan’s early days through Monojit Lahiri’s recollection from 1989 — a time when ...
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THOUGHT FACTORY: 30 YEARS OF DDLJ & STILL RUNNING
From Eurorail to Sarson Ke Khet: An Ethnography of DDLJ’s Everlasting Romance with India by Yashika Begwani, explores wh...
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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA
Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...
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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES
“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...
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BOLLYWOOD: EIGHTY THREE WOWS FOR THE BIG B!
On his 83rd birthday, Monojit Lahiri traces Amitabh Bachchan’s extraordinary evolution—from a shy, lanky Calcutta boy with an unmis...
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FESTIVALS: INDEPENDENT VOICES RISE IN VERSOVA
Waterfront Indie Film Festival Mumbai 2025 celebrated the spirit of independent storytelling with over 100 films, insightful panels, and master...
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RETROSCOPE: MAN WITH THE GOLDEN GUITAR
Khalid Mohamed replays the life and oeuvre of Van Shipley, who was a formidable name once, but has never been acknowledged in ...
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