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THOUGHT FACTORY: FILMS. AUDIENCES. FILM CRITICS.

India, the world’s largest film-producing nation, thrives on cinema and media, yet its film critics remain undervalued. Monojit Lahiri investigates t...

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MOVIES: INDIA PREMIERE OF JESUS IN SIGN LANGUAGE

A groundbreaking cinematic milestone, JESUS premieres in India, breaking barriers with American and Indian Sign Language, Hindi dubbing, and En...

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POWERFUL PEOPLE: PREITY ZINTA ON DOING IT HER OWN WAY

Khalid Mohamed’s throwback to a conversation with the iron-willed Preity Zinta, who’s set to return to the movies ...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

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THOUGHT FACTORY: BOLLYWOOD HEROINES FROM GRACE TO GRIT

Monojit Lahiri attempts to objectively investigate this contentious issue, diving into generational perceptions of Bollywood h...

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TRENDING: HUMAN STORIES STILL TOUCH HEARTS

Exploring romantic films Saiyaara and My Oxford Year, Yashika Begwani reflects on soulful storytelling, the AI era, and why hu...

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POWERFUL PEOPLE: ‘I’M EVERY WOMAN’

Richa Chadda Exclusive Interview 2025: On Marriage, Motherhood, Acting, Heeramandi, and Her Bold Comeback

FESTIVALS: STORIES FOUND PURPOSE THAT AFTERNOON

On a rain-soaked Mumbai day, WIFF’s Impact Workshop brought together storytellers, changemakers, and filmmakers to explore how films can ...

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KALEIDOSCOPE: FREEZIES AND THE FIGHT FOR FRIENDSHIP

Farrukh Dhondy’s latest novel makes young readers think about big issues—refugees, prejudice, and the power of com...

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