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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION
Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...
Read MoreRETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG
On Jaidev’s birth anniversary which was two days ago, on 3rd August, Shantanu Ray Chaudhuri remembers the uns...
Read MoreBOLLYWOOD: THIS WEEK, TWO WORLDS COLLIDE
This week in Indian cinema, two films explore love across divides—Dhadak 2 confronts caste and heartbreak with sober sincerity, ...
Read MoreRETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER
Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...
Read MoreTHOUGHT FACTORY: BOLLYWOOD GRAPPLES WITH DISABILITY
Portrayal of differently abled in Bollywood: Tokenism? Caricature? Empowerment? There are no easy answers because disability in Bollywood cinem...
Read MoreKALEIDOSCOPE: RAJESH KHANNA’S STAR STILL SHINES
On the 13th death anniversary of India’s first superstar, Gautam Chintamani revisits the enigma of Rajesh Khanna and the timeless relevan...
Read MoreRETROSCOPE: THIRTY YEARS AFTER...TIME FLIES
Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...
Read MoreKALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT
A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...
Read MoreFESTIVALS: OF MUSIC, MEMORIES AND MUSICAL MEMORIES
Music weaves memory, emotion, and meaning into life’s quietest and loudest moments. On World Music Day, Shantanu Ray Chaudhuri Read More
THOUGHT FACTORY: STORIES DIVIDE, YET ALSO UNITE
In a media landscape divided by class and culture, two Indian shows—The Royals and Thukra Ke Mera Pyaar—reveal ho...
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