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“Who says only Bollywood songs are gold?!” – Gulzar

As Bollywood’s undisputed Poet Laureate moves from strength to strength, Monojit Lahiri recalls some amazing conversatio...

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An Ode to the Willow

Monojit Lahiri flashbacks to a time, far away and long ago – way before the madness of social media crazed popular imagi...

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YRF Crashes into the OTT universe

Monojit Lahiri investigates whether the grand entry of YRF into the OTT universe is a blessing or a curse.

More Sinned Against Than Sinning!

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’.

Art. Real...

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What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...

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Sabarmati Ashram: To be or not to be

 

The government is mulling over revamping Sabarmati Ashram; people from various walks of life talk t...

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Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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Being Rita Hayworth (October 17 1918 to May 14 1987)

How Rita Hayworth has motivated him to write noir and how he cannot completely discard Oedipal undertones in hi...

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The Manipur Man: Bijoykumar Tayenjam

Bijoykumar Tayenjam is an author, a poet and a civil engineer in Imphal, Manipur, writes Vinta Nanda