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M K RAINA: A salutation and exploration

Again and this one is vast - Aparajita Krishna walks you through the life of social activist and actor MK Raina. So far, so, s...

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A Bouquet of Talks

This is a bouquet of assorted fragrances, writes Aparajita Krishna

These are narrations t...

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Signs of the times: Congratulations Ammi!

Humra Quraishi writes, “In the backdrop of the upcoming Mahatma Gandhi Jayanti, I have been wondering how Gandhi would&r...

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Mothers Sing Best

Ishitta Arun, daughter of singer-actress-theatre maker Ila Arun, wanted to establish her own theatre group, Ikigai & Co., and do produ...

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The Staging of DEEWAR in India 2018

Prithvi Theatre opened to the public on a day in 1978, forty years ago. It is today an address that apart from being ...

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Google @ my First Address in Life and its Fruity Lychee taste: MUZAFFARPUR

I have changed many addresses in life as an itinerant. When I click life@57, it is my first address in life and...

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