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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultNADIRA BABBAR’S THEATRE LEGACY IN PRINT
Vinta Nanda visits Nadira Babbar ahead of Ekjute’s landmark launch of eighteen published plays written by her, <...
Read MoreAMITABH BACHCHAN: HINDI CINEMA’S DARK EDGE
The Greatest villain that Hindi films could not have…though one is not complaining about what one got instead. Sharad Raj explor...
Read MoreOH CALCUTTA: MEMORIES OF A VANISHING CITY
Khalid Mohamed remembers the ‘City of Joy’, a mahanagar steadily losing heritage, culture, and character, as Calcu...
Read MoreTRIS FEBRUARY 2026 EXPLORES CINEMA ART CONSCIENCE
TRIS February 2026 presents exhibitions, film screenings, and conversations in Delhi, highlighted by a TRIS–WIFF...
Read MoreBOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US
In this searing cultural meditation, Khalid Mohamed revisits Bob Dylan’s protest song on migration, lin...
Read MoreWHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE
An intimate evening at Seagull Studio where Ashish Vidyarthi transforms personal memory into performance, revealing the power of storytelling, ...
Read MorePOWERFUL PEOPLE: 55 YEARS ON, MERE APNE’S RELEVANCE
Khalid Mohamed in conversation with the indefatigable poet, lyricist, story-script-writer and film director Gulzar Read More
THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES
A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...
Read MoreRETROSCOPE: LOOKING BACK AT WHAT ENDURES
A year of remembrance and resistance, where Khalid Mohamed, Monojit Lahiri, Shantanu Ray Chaudhuri, Devdutt Trivedi, Utpal Datta and Sa...
Read MoreBOLLYWOOD: MEMORY, MEANING AND THE MOVING IMAGE
A year-end reflection on Hindi cinema through The Daily Eye’s seasoned critics—where nostalgia met urgency, specta...
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