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FESTIVALS: THE SUN SHINES ON SUNNY DA DHABA
We’re thrilled to start the column ‘Zaikak’ with Siddharth Kak, author, documentary filmmaker, presenter, food critic and wel...
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TRENDING: MEET THE CAST AND CREW OF FARIDA
Meet the cast and the crew of the new play FARIDA, directed and written by Nadira Zaheer Babbar for Ekjute Theatre Group. It opens at Prithvi T...
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POWERFUL PEOPLE: THE POET IMPRESSIONIST
On the occasion of the 58th Jnanpith Award for Gulzar saab, Humra Quraishi revisits her friendship with him an...
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ALTERNATIVE ENTERTAINMENT: A DEEP DIVE INTO THE SOUL OF CLAY
Kaul’s films were revelations even when the themes were well-known and had ancient roots, like dhrupad and pottery. He avidly hunted for ...
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KALEIDOSCOPE: HUMRA QURASHI’S BOOK IS A WAKE UP CALL
Humra Quraishi’s book, The Diary of Gull Mohammad - A Kashmiri Muslim boy’s journey from Kashmir to Kerala, is an eyeopener. Once i...
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INDEPENDENT FILM: THE STORY OF A YOUNG BOY IN KASHMIR
In conflict-ravaged Kashmir, Adnan, a young boy from a lower middle-class family, stretches himself beyond limits to earn a smile on his blind ...
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MAKE NOTE, EVERYONE’S SUSPECT
Humra Quraishi writes this in the backdrop of last month’s brutal killing and grievou...
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2023: NOT SO MANY REASONS TO CELEBRATE!
In her final column of 2023, Humra Quraishi looks back at the year for events we s...
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A CHAPTER ON KUMAR SHAHANI’S KASBA
Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...
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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA
In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...
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