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IDENTITY, IDENTIFICATION AND THE FUEL OF TIME’S FURNACE

Humra Quraishi writes, “It’s August and focus is on Kashmir. On 5 August 2019, the status of Jammu and Kashmir was altered by revok...

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BETTER ROSES FOR A WARMING WORLD AND OTHER GARDEN ADVENTURES

Manipur is burning and its despair all around. But here’s an extract from the book ‘Roses in the Fire of Spring’, which will ...

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WILL WE TRUST EACH OTHER AFTER THE WAR?

This week Humra  Quraishi looks back at her conversations with well-known sociologist Professor Imtiaz Ahmad, who passed ...

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WE ARE NOT AT PEACE

Humra Quraishi discusses the position of the Urdu language in India, on International Mother Language Day – 21st Februar...

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THE UNSETTLED SHADE

Vinta Nanda talks to filmmaker Neha Sharma about her documentary film NYBREUM and what it was that made her gravitate to the s...

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THE ‘ARRE O SAMBA’ SAGA

Monojit Lahiri does a flashback to the iconic Arre O Samba Saga and revisits the biggest hit of Indian cinema Sholay!

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URMI JUVEKAR: The Storyteller

Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersiv...

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Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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WRITERS OF OBITUARIES

Humra Quraishi remembers time spent at Loreto Convent Lucknow and also recalls her invaluable conversations with, both, the la...

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Dream Interrupted

Film historian Dhruv Somani laments the fact that Muzaffar Ali’s Zooni (1989), with Dimple Kapadia in the title role, co...

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