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TIGHTROPE WALK FOR JOURNALISTS IN THE MAINSTREAM
Here, taking off from a few discussions at the Orange City Literature Festival she attended, Vinta Nanda looks at ‘ethic...
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THE NEED OF THE HOUR: TUSHAR ARUN GANDHI
In this interview with Tushar Arun Gandhi, Vinta Nanda probes his mind to understand the dangers lying ahead and what are the ...
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UNDERSTANDING THE BUSINESS OF HANDCRAFTED TEXTILES OF INDIA
Vinta Nanda has this fascinating conversation with author and chronicler Savitha Suri about Khadi, the name, which belongs to ...
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REFLECTING INDIA: AN ANALYSIS OF POPULAR SCRIPTED TELEVISION
An intersectional and longitudinal analysis of popular scripted television from 2018 to 2022, has been released by the Geena Davis Institute of...
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FROM TOM CRUISE TO AKSHAY KUMAR: HERE’S WHAT THEY DID BEFORE BECOMING STARS
Did you know Marlon Brando worked as a watchman and Sylvester Stallone in a beauty parlour? Monojit Lahiri invites you to have...
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TRAVELLING ON THE ROAD TO THE AMERICAN DREAM
Vidyut Latay’s documentary film “Alien” is selected for screening at Tasveer South Asian Film Festival (TSAFF 23). I talk to ...
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INNOCENT UNTIL PROVEN GUILTY OR GUILTY UNTIL…
In these dark, stifling times, my thoughts go to many of the imprisoned citizens of India, most of them undertrials, writes Humra Qurai...
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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION
O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...
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AMIT KHANNA’S JOURNEY AS A LYRICIST
Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...
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STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?
Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...
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