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CAN SRK RETURN AS KING KHAN WITH PATHAN?

Monojit Lahiri investigates if in this era of the ‘larger-than-life’, SRK is perceived as a yesterday’s star...

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Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous s...

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URMI JUVEKAR: The Storyteller

Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersiv...

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Suspense Classic

Film historian Dhruv Somani reveals the behind-the-scenes moments of the cult classic, Teesri Manzil (1966), produce...

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WHO SHOULD BE MADE TO COMPENSATE?

From the institutionalisation of bias to literature about the greatest artists of the past, Humra Quraishi’s c...

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REMEBERING BOLLYWOOD’S SEXIEST REBEL-STAR!

Junglee, Janwar, Budtameez, Bluff Master, Pagla Kahin Ka, Fan-boy Monojit Lahiri pays tribute to Bollywood’s flamboyant ...

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DOES DAZZLING BEAUTY HIJACK TALENT?

Monojit Lahiri investigates the conundrum surrounding beauty and brains, in real and in real life, that has been going on...

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Figuring out Chaddha

An essential quality of cinema is to portray moments that are transitory in human life, writes Satyabrata Ghosh in his take on...

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Courtesan Queen

As Rekha brings in her 68th birthday, film historian Dhruv Somani recollects her famous roles as the courtesan who danced her ...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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