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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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STUDENT CITY PART 4

Written by Prof Dr Piyush Roy, Student City Part 4 revisits the emotional rivalries, campus politics, friendships and...

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TWO POWERFUL THEATRE REFLECTIONS

Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...

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THE STING BEHIND BOLLYWOOD PAPARAZZI

Khalid Mohamed, without being judgmental, reports on the love-hate relationship of the celebrities and the paparazzi – a...

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STUDENT CITY PART 2

In Part 2 of Prof Dr Piyush Roy’s nostalgic campus saga, rivalries intensify, friendships fracture, and attraction simme...

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MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

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MAMATA BANERJEE FACES DEFINING BATTLE

Ranjan Dasgupta analyses Mamata Banerjee’s toughest electoral challenge in West Bengal, examining political dynamics, BJ...

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PROGRESSIVE WRITERS ASSOCIATION 90 YEARS

Progressive Writers Association 90 Years Mumbai by Prof. Dr. Avinash Kolhe examines the historic 90th anniversary celebrations, tracing the leg...

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MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

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INTIMACY & TECHNOLOGY – FRENEMIES??

Monojit Lahiri explores how technology has reshaped intimacy and interpersonal communication, examining generational divides, ...

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