THOUGHT FACTORY: BOLLYWOOD HEROINES FROM GRACE TO GRIT

Monojit Lahiri attempts to objectively investigate this contentious issue, diving into generational perceptions of Bollywood h...

THOUGHT FACTORY: MOVIE MAGIC DEFEATS ONLINE NOISE

Rajinikanth’s Coolie: When Sheer Movie Magic Trumps Noise (and Logic)

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FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

POWERFUL PEOPLE: ‘I’M EVERY WOMAN’

Richa Chadda Exclusive Interview 2025: On Marriage, Motherhood, Acting, Heeramandi, and Her Bold Comeback

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THOUGHT FACTORY: BOLLYWOOD GRAPPLES WITH DISABILITY

Portrayal of differently abled in Bollywood: Tokenism? Caricature? Empowerment? There are no easy answers because disability in Bollywood cinem...

BOLLYWOOD: REVIEW - TANVI THE GREAT

A heartfelt yet oversimplified tale of autism, Tanvi The Great delivers emotional highs but falters in depth, relying on sentiment ove...

MOVIES: WHY THIS ADVENTURE FAILS

A scathing critique of Sonar Kellay Jawker Dhan by Shantanu Ray Chaudhuri, exploring how lack of imagination, poor ex...

RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

RETROSCOPE: OF MEENA KUMARI & DREAMS OF HOLLYWOOD

Khalid Mohamed’s unpublished conversation with the late Saawan Kumar Tak, who despite his mega-hit movi...