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MOVIES: THE SOULFUL STILLNESS OF PURATAWN

Suman Ghosh’s new film marks the return of Sharmila Tagore to Bengali cinema after a long hiatus. Shantanu Ray Chaudhuri...

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KALEIDOSCOPE: TO A TEACHER WITH LOVE & MUCH MORE…

A rich festschrift honouring Prof. GJV Prasad, celebrating his transformative impact on English literary studies in India through essays spanni...

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BUSINESS: CHALLENGING CREDIBILITY OR INFLUENCING SALE?

From Leela Chitnis to today’s stars, celebrity advertising in India has evolved dramatically—entertaining, controversial, and often...

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THOUGHT FACTORY: STARDOM & SPECTACLE IN NAYA BHARAT

In today’s Naya Bharat, actors trade craft for stardom, embracing regressive blockbusters and right-wing narratives, while genuine talent...

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TRENDING: A SPRING SONG STATE OF MIND

Hindi film songs have celebrated the onset of spring in myriad ways. Shantanu Ray Chaudhuri looks at 5 songs plus one bonus fr...

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GENDER: CELEBRATING WOMEN, ART, AND POWER

Celebrating the power of women in art, cinema and entrepreneurship, this International Women's Day highlights achievements, challenges, and the...

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THOUGHT FACTORY: COMING UP… “LAGE RAHO” DAY!!

Life is a banquet, and I’m starving! Live fast, die young, and leave a sexy-looking corpse—Monojit Lahiri takes a ...

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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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GENDER: WHY INDIAN MEN AVOID HOUSE WORK??

Mammas boys? Traditional/generational conditioning? Lazy? Mardangani? Monojit Lahiri examination controversial question about ...

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