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HOW CAN OLYMPIANS GIVE UP!

Humra Quraishi writes about Olympians Vinesh Phogat, Sakshi Malik and Bajrang Punia’s relentless fight for justice again...

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RETURN TO INDIA

An interesting conversation between the courageous, outrageous but emotional Dolly Thakore, and Vinta Nanda, which brings back...

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TOPS GLOBALLY. FLOPS LOCALLY.

Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...

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FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

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RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

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STOP CALLING ME AN ACTRESS - I AM AN ACTOR!

Does calling actresses 'actors' robs them of their iconic glamour? Or is it a much-needed step to head towards a gender-neutral world? Read thi...

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DOES WATCHING ART-HOUSE CINEMA MAKE YOU…SUPERIOR??

Monojit Lahiri investigates on a topic, which a good, grounded and witty friend, one fine day, brought up in a discussion.

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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EARTH WOMEN

On World Earth Day that just went by, The Daily Eye Newsdesk visits five women entrepreneurs shaping a sustainable future

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