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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: REIMAGINING 12 ANGRY MEN

Srijit Mukherji’s Shotyi Bole Shotyi Kichhu Nei reinvents 12 Angry Men with a fresh, outdoor setting, gender perspectiv...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: EI RAAT TOMAR AMAR

What happens when two powerhouse veteran actors showcase a cathartic storyline, directed by a courageous and sensitive actor-director with the ...

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AI and Tech

AI & TECH: NAVIGATING THE UNCERTAIN FUTURE

In an era of AI dominance and rapid technological change, literature, science, and art remain essential, offering wisdom, creativity, and intro...

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Festivals

FESTIVALS: BENGAL TIGER’S ARTISTIC TRIBUTE IN KOLKATA

Celebrating the 210th anniversary of the Indian Museum, Kolkata, ‘Dialogues Across Time’ brings the Bengal Tiger to life through ar...

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Trending

FESTIVALS: A TRIUMPHANT INAUGURAL START FOR GAFF

The inaugural Guwahati Asian Film Festival showcased cinematic excellence, encouraging cultural exchange and dialogue while paving the way for ...

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Business and Politics

POLITICS: BACKLASH ON DEI AND INTELLECTUAL INEQUALITY

As right-wing governments dismantle Diversity, Equity, and Inclusion, they push societies into intellectual and economic stagnation while the p...

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Trending

TRENDING: A ‘NORMAL’ LOVE STORY, SAYS SRIDHAR RANGAYAN

Kuch Sapney Apne, releasing in theatres on 21st February, redefines love with its heartfelt queer romance, proving...

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Festivals

FESTIVAL: V-DAY-ISHQBAAZI…OR DRAMABAAZI??!

Monojit Lahiri checks out if the just-ended V Day is a magical way of looking at a glorious celebration, or is it a power...

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Bollywood

BOLLYWOOD: FLASHBACKING WITH CHAUDVIN KA CHAND!!

Around two decades ago, Monojit Lahiri met the still-gorgeous Waheeda Rehman at her sea-front flat in Bandra’s Bandstand...

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Kaleidoscope

KALEIDOSCOPE: ARUN KHOPKAR’S CHALAT CHITRAVYOOH IN TRANSLATION

Exploring Arun Khopkar’s reflections on cinema, creativity, and collaboration, this piece by Satyabrata Ghosh who has translated the book in Bengali,...

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