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Give peace a chance

Khalid Mohamed in conversation with the eminent filmmaker and documentarist Ramesh Sharma on his new feature-length documentar...

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Right at the Centre: Anuradha SenGupta

Anuradha SenGupta’s introduction of herself as a professional, best summarizes her writes Aparajita Krishna  Read More

The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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CRISPR: The Genetic Scissors Natural V/s Unnatural

CRISPR can help the cacao to become infection resistant and save it from extinction – so that we do not h...

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Takes tea to tango

A photo-essay by Ashis Ghatak on his tea-tasting spree ...

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Fast and Furious: Varun Inamdar

A secret I have to reveal, if I must go forward with this interview with Varun Inamdar, is that my bedtime stor...

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Madhumati: A classic revisited

Film historian Dhruv Somani flashbacks to Bimal Roy’s classic ghost story, which continues to be mint-fre...

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Uff, that dance of chaos

Khalid Mohamed reviews the political askew Tandav, the heart-tugging Tribhanga and the pertine...

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A Portrait in words and pictures: Seema Kapoor

Isolation amidst the tranquillity of the scenic environs of Jhalawar in Rajasthan  made Seema Kapoor address this article, writes ...

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Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood

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