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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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For Name’s Sake: Bollywood’s penchant for screen names

Film historian, Dhruv Somani, traces the saga of leadin...

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Don’t cry for Sushant!

Vinta Nanda discusses why in the creative universe, we should feel sorry for ourselves and not for those who have left us...

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Tragic Loss: Sushant Singh Rajput

Sushant Singh Rajput’s suicide by hanging, at age of 34, sent shockwaves through Bollywood on Sunday afte...

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Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

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Kashish 2020 goes Virtual

First major film festival in India to go online completely with a full-festival lineup of new LGBTQIA+ films from across the world

Considering that the city, the na...

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Denial: In the Industry of Entertainment

Actor and Executive Committee (EC) member of CINTAA Ayub Khan highlights a challenge confronting the Hindi television industry...

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Brotherhood of man and woman

Amit Behl walks us through the huge impact that the COVID-19 crisis has had on the film and television industry and how the fr...

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Scent of Music: AR Rahman

Khalid Mohamed rewinds to one of his chatty conversations with the Mozart of Madras.

When...

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Speak English, Drink Rum: Women at the workplace

Vinta Nanda recalls the times when she was a smoker, enjoyed drinking rum and coke every other evening and also spoke fluent E...

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