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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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Search ResultANKUR: THE SAPLING OF PARALLEL HINDI CINEMA
“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...
Read MoreWIPING THE DIRT FROM THEIR HANDS AS THEY WALK FROM THE GRAVE
“All that ordinary people across the globe want is peace and dignity, the right to live in their homeland,” writes Humra Qu...
Read MoreBOLLYWOOD’S AMAZING CHUMMA CHUMMA STORY: FROM OOOIMAA TO GO-BABY-GO!
A caress given with lips, key to paradise, the blossom of love, the first discharge of a purely, physical, sexual sensation, the first crisis o...
Read MoreCONFLICT MUST END: LET PEACE PREVAIL ON THE WORLD AND HUMANITY
Humra Quraishi recalls conversations she’s had with academics, envoys over the years about the Palestinian i...
Read MoreTHE HRISHIDA I REMEMBER…
Monojit Lahiri pays a personal tribute to this iconic filmmaker on his 101st birth anniversary. Hrishida was born o...
Read MoreTSAFF TO KICK OFF ON OCTOBER 12 IN SEATTLE
TSAFF 2023 is the only South Asian film festival eligible for Oscars. The line-up includes a collection of 83 films including documentaries, fe...
Read Moreपानइंडिया (PaanIndia!)
The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.
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TORN BETWEEN TWO IDEOLOGIES – RAM RAJYA AND RAVAN RAJ
An excerpt from the book Mandodari, by Koral Dasgupta, released at Kitab Khana Mumbai with a conversation between the author and Avantika Bahug...
Read More‘JADUNAMA’ - A RAY OF LIGHT IN IMMENSE DARKNESS
Humra Quraishi comments on the truth lurking behind green curtains in the capital city especially decked up for the G20 ...
Read MoreA BEFITTING SWANSONG
This is a very personal response to a unique film experience gifted by The Song of Scorpions, writes Janaky Sreedharan
