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To be a good artist, first be a good person.

Humra Quraishi revisits conversations with the danseuse Sitara Devi and writer Mani Sankar Mukherji and draws comparisons - th...

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Lost And Found

Film historian Dhruv Somani, rediscovers the prolific actor-producer Rajan Sippy of the 1980s, to engage him in a conversation...

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The Simran Magic

Khalid Mohamed zooms back in time to share his discussion with Kajol, on her imperishable performance as Simran, with Shah Ruk...

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Winds of Change in Uttar Pradesh

Subhashini Ali analyses the political scenario in Uttar Pradesh, soon going to elections, and finds that the winds of change seem imminent.

Fast-mo...

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The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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Let the wilderness within you speak

In his second letter to readers, Philosophy Coach and Consultant at Universal Enlightenment & Flourishing, Christophe Porot&nb...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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Where are the men and their many wives?

Humra Quraishi questions the vicious propaganda being spread against Muslim communities by Right-Wing forces that say that the...

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Acting ke peeche kya hai?

The ever-charismatic Madhuri Dixit, in a flashback conversation with Khalid Mohamed on how she perfected the art of acting by ...

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Why a Statue of Netaji now?

Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...

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