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RAMAYANA PART ONE: EPIC RETELLING
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THEATRE AND THE POWER OF INCLUSION
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Search ResultA Faust for Bangladesh
Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More
Memories of an advertising man…
In this fascinating first-person-account, Monojit Lahiri, known for his Bollywood-driven opinion pieces, tracks the changing c...
Read MoreA look back at Mira Nair’s tale of Home: Mississippi Masala
Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...
Read MoreClaude Chabrol and The Poetics of Murder
My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...
Read MoreSoumitra Chatterjee: The Legend Lives On
Legendary actor Soumitra Chatterjee passed away on 15 November 2020. To mark the first anniversary, Shantanu Ray Chaudhuri wri...
Read MoreIn the land of the capitalists
‘Battleship Potemkin’ was premiered at the historic Bolshoi Theatre auditorium in Moscow on December 21, 1925, writes Monis...
Read MoreThe Performing Arts in Lockdown
Art needs to be showcased. Various artists speak to Monarose Sheila Pereira about their work during the pandemic. Tu...
Read MoreGame Changer, Marketer, Entertainer, Interpreter: The Film Critic
Monojit Lahiri investigates through the incisive commentary of critics as well as filmmakers, what film reviews and film criti...
Read More‘The Poetic Minimalism’ of Abbas Kiarostami
Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...
Read MoreAnother Ravi Varma: Mankada
Kerala Varma talks about the magic in the work of the low profile cinematographer of Adoor whose work made the layman sit up a...
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