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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultDELHI GYMKHANA: A FAREWELL TO CHARM
Writer, Director, Actor Sohaila Kapur reflects on childhood memories, family legacy, and the uncertain future of Delhi Gymkhan...
Read MoreVANISHING BOMBAY: DREAMS & DEMOLITIONS
In this essay, Khalid Mohamed examines Bombay’s relentless transformation through redevelopment, disappearing heritage, ...
Read MorePURSUIT OF TRUTH: KANWALJIT SINGH UNFINISHED
In a reflective conversation with Vinta Nanda, veteran actor Kanwaljit Singh revisits his journey from Saharanpur to FTII, cin...
Read MorePRESENTING LOVE IN AN UNUSUAL ROLE
Monojit Lahiri explores how love, emotion, intimacy, and human connection have evolved from personal values into powerful business tool...
Read MoreSHE WHO TOOK INDIAN CINEMA GLOBAL
Producer and global film strategist Gayathiri Guliani speaks to Vinta Nanda about Indian cinema’s international growth, ...
Read MoreMY FRIEND CHOPIE BY SOHAILA KAPUR
A deeply personal tribute by Sohaila Kapur to legendary editor Krishan Chopra, recalling friendship, journalism, publishing, w...
Read MoreAN ACTOR PREPARES: ASEEM HATTANGADI
A multi-tasker, he is a theatre, film and web series actor. Son of the celebrated actor Rohini Hattangadi and the late theatre director Jayadev...
Read MoreCOCKROACH GENERATION CHALLENGES SILENCE
A viral digital movement inspired by a controversial judicial remark transformed into a youth-led expression of dissent, questioning power, dem...
Read MoreVYJAYANTHIMALA: ‘WHO REMEMBERS ME?’
Khalid Mohamed looks back in affection at the tumultuous life and unmatched acting career of Vyjayanthimala Bali Read More
BRECHT RETURNS THROUGH BENGALI THEATRE
In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...
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