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The Iconoclast

Long before Angela Merkel became a messiah for Arab migrants and courted controversy, there was Adolf Hitler wh...

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Exploring the Darker Side

After watching a couple of her films, Vandana Kumar believes, that it couldn’t be merely a coincidence that Isabelle Hup...

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The Austere Ascetic

Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson.&...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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And the rest is hysteria

Khalid Mohamed reviews the annoyingly overwrought Kaagaz, the understated Sir and recommends A...

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Of human bondage

Khalid Mohamed’s throwback to his encounter with social documentarist, Sebastio Salgado, whom he rates as the world&rsqu...

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The outlier of French new wave: Claude Chabrol

In a career that spanned over five decades, Claude Chabrol (24 June 1930 - 12 Sep 2010) was one of the most prolific and widely respected of Fr...

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Short-changed in life

Film historian, Dhruv Somani, recollects the tragic story of the charismatic star Priya Rajvansh, who if she were alive would ...

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Making Magic: Nilakshi Sengupta

Vinta Nanda time travels with Nilakshi Sengupta, the author of the book series, TINA AND HER MAGIC KETTLE

The Making of Satya

Novelist and writer, Adithi Rao who was assistant director on Ram Gopal Varma’s Satya, rewinds to the behind-the-scenes ...

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