THOUGHT FACTORY: MOVIE MAGIC DEFEATS ONLINE NOISE

Rajinikanth’s Coolie: When Sheer Movie Magic Trumps Noise (and Logic)

Everyone want...

FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

FESTIVALS: KAI DEBENEDICTUS’S FILM UNITES GENERATIONS

At WIFF Mumbai’s sixth pre-festival screening, 17-year-old Kai deBenedictis premiered Roots Across Continents, blending personal heritage...

ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

BUSINESS: SAMEER NAIR’S MASTERSTROKE

In a bold leap into global fiction, Applause Entertainment acquires rights to six Jeffrey Archer bestsellers, reimagining them for the screen f...

RETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG

On Jaidev’s birth anniversary which was two days ago, on 3^rd August, Shantanu Ray Chaudhuri remembers the uns...

FESTIVALS: STORIES FOUND PURPOSE THAT AFTERNOON

On a rain-soaked Mumbai day, WIFF’s Impact Workshop brought together storytellers, changemakers, and filmmakers to explore how films can ...

BOLLYWOOD: LOVE TRIUMPHS IN SAIYAARA AGAIN

A surprise hit, Saiyaara blends old-school romance with modern aesthetics, reviving the “forever love” narrative in an age...

RETROSCOPE: CENTENARY OF A REBEL POET OF CELLULOID

Ranjan Das Gupta marks 100 years of Guru Dutt, the visionary director who blended poetry, pathos, and protest in cinema, trans...