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Director’s Cut

Film historian Dhruv Somani, pens a tribute to the late producer-director Ravi Tandon, who had kept a low profile throughout h...

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KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

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The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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Flight To Freedom

In his first letter to readers, Philosophy Coach, Consultant at Universal Enlightenment & Flourishing, Christophe Porot ex...

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Hey Guys, give brand LOVE a chance!

Catalyst, hidden persuader or gentle, deceptive brand statement, LOVE, Monojit Lahiri insists, is much more than a 4-letter wo...

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A look at Janani's Juliet

Pankaj Rishi Kumar’s documentary film was India’s official entry to the Academy Awards. It tackles socio-political realities throug...

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All you wanted to know about Omicron

The new variant of concern: Omicron has assumed the status of The Global ‘Scariant’ of Concern, bec...

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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The magical language of Gulzar

Juhi Saklani looks at the way filmmaker, poet, lyricist and writer Gulzar creates language and immortalizes his words by makin...

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Disillusionment to anger: A tale of two Vijays

It’s the week of two ‘Vijays’, Guru Dutt and Amitabh Bachchan - the former is remembered on his death anniversary and the lat...

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