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FESTIVALS: FROM BUSAN TO SUNDANCE AND BACK HOME

Indian cinema continues to find new ground on the international stage, as emerging filmmakers and bold regional voices redefine the scope of st...

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ALTERNATIVE ENTERTAINMENT: A LIFE SHAPED BY RHYTHM

When Vinta Nanda met young tabla virtuoso Keshava, he opened up about his life, from a toddler with rhythm in...

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POWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING

Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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THOUGHT FACTORY: WHY MARRIAGE SCARES YOUNG LOVERS

“Love me?” Like mad! “Marry me?” Mad!! Whatever happened to the pavitra bandhan that symbolised this r...

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ALTERNATIVE ENTERTAINMENT: ART & TRUTH IN MEMORY

Assamese filmmaker Amardeep Gogoi reflects on Collage, a quietly powerful debut rooted in memory, trauma, and resilie...

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BOLLYWOOD: MAALIK IS BLOOD, DUST, SWAGGER

Even Earnest Rajkummar Rao Can’t Fully Rescue This Formulaic Gangster Drama. Pulkit’s Maalik is a gritty,...

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ALTERNATIVE ENTERTAINMENT: WHEN TWO WORLDS COLLIDE

OTT has redefined cinema with realism and bold narratives, challenging the dominance of Bollywood and Hollywood's star-driven spectacles by ech...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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BOLLYWOOD: FEAR AND A MOTHER'S RAGE ONSCREEN

Kajol leads a chilling tale of myth and motherhood in Maa, a supernatural thriller where folklore, family, and fear collide—yet ...

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