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Search ResultVADH 2 EXPLORES JUSTICE AND AGING
Crime, Conscience, and Companionship in the Twilight Years: Arnab Banerjee.
Jaspal Singh Sandhu’s Vadh 2 examines ...
OSCARS RETURN INDIA ENTRY EMPTY-HANDED AGAIN HOME
India’s 2026 Oscar hopes fade again as its official entry returns home, sparking debate on quality, global positioning, marketing muscle ...
Read MoreBOLLYWOOD FAME, FORGOTTEN STARS, CAUTIONARY TALES
Today Mumbai’s film actors have wised up to the fact that fame and fortune don’t last forever. Several yesteryear doom-laden storie...
Read MoreMARDAANI 3 RETURNS WITH GRIT AND LIMITS
In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...
Read MoreHOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION
When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...
Read MoreJIMMY SHERGILL: A CLASS ACT, ALWAYS
An intimate, insightful portrait of Jimmy Shergill—an actor of rare restraint and integrity—by Khalid Moha...
Read MoreREVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS
The actor-director’s spy spoof aims for absurdist satire but collapses under stereotypes, scattered themes, and overextended gags, despit...
Read MorePOWERFUL PEOPLE: THOSE BASIC VISUAL INSTINCTS
Ravi K. Chandran, among the A-list of superstar technicians of Hindi and south Indian language cinema, has excelled in his met...
Read MoreKALEIDOSCOPE 2025: WINDOWS INTO A PLURAL IMAGINATION
Across cinema, literature, art, theatre, reportage, pedagogy, and memory, Kaleidoscope 2025 charted The Daily Eye’s comm...
Read MorePOWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE
Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...
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