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BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY

Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...

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KALEIDOSCOPE: QUEER VOICES FROM THE PERIPHERY

Utpal Datta makes a sensitive attempt to hear the unheard ‘third voice’ and reviews Dr Kaustubh Padmapani’s ...

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BOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...

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POWERFUL PEOPLE: A FEW MILES ON THE BHARAT JODO YATRA

Mumbai-based writer and journalist Dilip D'Souza, celebrated for his incisive commentary on social and political issues, engag...

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MOVIES: RECOMMENDATIONS FOR A LAZY SUNDAY

The #newsdesk recommends films that are much talked about and rated high on the critics’ scale. It’s the weekend! Check them out ri...

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ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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POLITICS: ACTIVISM FOR EQUALITY AND JUSTICE

In the wake of recent events, notably the controversy surrounding the conferment of the Sangita Kalanidhi award upon TM Krishna by the Madras M...

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ALTERNATIVE ENTERTAINMENT: A POETIC DOCUMENTARY

This week it is O.P. Srivastava's tryst with temporality as he remembers Mani Kaul's documentary film, a masterpiece, Siddhesh...

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BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?

Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...

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KALEIDOSCOPE: INDIA’S SOLE MUSLIM PARAM VIR CHAKRA AWARDEE

Vikram Khakhar's involvement underscores the importance of this project, which promises to shed light on a pivotal figure in Indian military hi...

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