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BUSINESS: DO WHACKY NAMED AD-SHOPS SCORE OVER OTHERS?

In a rapidly evolving advertising landscape, a new wave of agency names is challenging traditional norms and capturing the essence of creativit...

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MOVIES: MODERN FILM ABOUT TRADITIONAL ART

Utpal Datta visits the heartfelt journey of traditional Ramleela in an urban setting, captures the essence of cultural transfo...

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KALEIDOSCOPE: CELLULOID TO DIGITAL BY V.K. CHERIAN, BOOK REVIEW

Despite the cynical and sceptical times we live in, there are indeed many people who honestly enjoy movies, know the difference between good an...

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THOUGHT FACTORY: THE IRONY OF CANNES ‘24

This is India’s clean sweep, with no credit to India at all! Monojit Lahiri tries to explain why confusion is confounded...

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MOVIES: URBAN TALE OF CASTE BIASES

Prithvi Konanur's 2023 release, "Hadinelenthu", masterfully unveils the deep-rooted caste biases within the educational system and beyond, writ...

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ALTERNATIVE ENTERTAINMENT: SHYAM BENEGAL’S MANTHAN

Thanks to the efforts of the Film Heritage Foundation, Shyam Benegal’s masterpiece has reached a new generation, proving cinema’s p...

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TRENDING: STOP MISREPORTING DEMOGRAPHIC STUDIES TO CREATE FEAR & DIVISION

Media must not misreport the study on population by PM-EAC: Population Foundation of India makes an appeal ac...

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ALTERNATIVE ENTERTAINMENT: THE RIVER OF LIFE

OP Srivastava takes us on the banks of Gautam Ghose's film. Paar, crossing the river of life, is a story of human endurance, a...

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BOLLYWOOD: ALL ABOUT REMAKES AND SEQUELS

As Bade Miyan Chhote Miyan and Love Sex Aur Dhokha 2 are set to release, with both films evoking titles of films made earlier, Shantanu...

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BOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...

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