SALUTING SATYAJIT RAY’S UNIQUE HEROES

Monojit Lahiri attempts to provide both a long shot and close-up of what made Satyajit Ray’s heroes so different, specia...

BEING THE NEW-AGE DADDY COOL!

Monojit Lahiri traces the evolution of this creature from the one-dimensional pitashree to the hands-on Daddy cool!

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MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

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FROM…PHOOLON KI RAANI, BAHARON KI MALLIKA…TO CHOLI KE PEECHE KYA HAI?!

Bollywood’s amazing story of lyricists and lyrics down the decades - Monojit Lahiri lays it on the line.  

BADHTI KA NAAM DADHI: THE NEW TREND OF FACE FUZZ!

Monojit Lahiri borrows the title of the genius Kishore Kumar’s goofy satire from the classic ‘Chalti Ka Naam Gaadi...

STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

WHY CAN’T SUCCESSFUL TV STARS TRANSIT TO THE BIG SCREEN?

Monojit Lahiri attempts a close-up at the question and figures the answer is yet to be found because the audience views actors...

YOUR SILENCE IS NO ANSWER: POWERFUL VOICES SPEAK

Can filmmakers, journalists and artists be apolitical? Vinta Nanda talks to Joy Sengupta, Bishwadeep Dipak Chatterji, Urmi Juv...