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A DARK AND SHINY PLACE: EXPLORING GRIEF

Vinta Nanda talks to media professional and curator of entertainment content Pragati Deshmukh as she sets out to release her d...

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WHO KILLED MOHAMMAD IQBAL?

Humra  Quraishi laments the blatant targeting of everything termed un-Hindu by the present government and the systematic ...

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FILM FESTIVALS MAKE SMALL FILMS BIG – UH-HUH!

Monojit Lahiri investigates the true meaning of these words often used in context to the Bollywood film industry: Mota Bol! Se...

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RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

RHYTHM’S CHOSEN CHILD

Here Sharada Ramanathan goes back and forth in time to understand the towering Tabla maestro Ustad Zakir Hussain’s geniu...

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TRENDING IN BOLLYWOOD

The Daily Eye Newsdesk reports on The Mentoring Program (TMP), designed for actors by the founder, actor, writer and director,...

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THE OPTIMISTS - 2023

Vinta Nanda glides into the next year with this: I decided to focus on hope and confidence, on the positive i...

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URMI JUVEKAR: The Storyteller

Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersiv...

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