THE RECIPE FOR GOOD ROMANTIC COMEDY

The Ex Factor author Harini Srinivasan unpacks her views on the recipe for a good romantic comedy, the evolution of the genre over the yea...

FILM FESTIVALS MAKE SMALL FILMS BIG – UH-HUH!

Monojit Lahiri investigates the true meaning of these words often used in context to the Bollywood film industry: Mota Bol! Se...

ATUL TIWARI: MAN OF MANY PARTS!

Aparajita Krishna time-travels with writer, actor, museum designer and teacher of dramatic arts Atul Tiwari, and returns with ...

SAD TIMES…

Humra  Quraishi reports on mindless encounters taking place in UP and harks to understand why they have almost become the...

SHAKESPEARE & BOLLYWOOD – JAB THEY MET!!

Manojit Lahiri takes you on a fascinating journey where hamlet and omelet often clash!

Ch...

JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM

Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...

A QUESTION MARK IN THE FACE OF A COLLECTIVE LIE

Humra  Quraishi questions the many lies, when too often said aloud, and made out as propaganda, seems to sound like the t...

Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

The Big Evolution

Khalid Mohamed in conversation with Saif Ali Khan, who has grown from yesterday’s ‘chocolate boy’ to an acto...