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MOVIES: POISE WITHOUT EMOTIONAL ENTRY

Billed as a tribute to Rituparno Ghosh, Indradeep Dasgupta’s Grihapravesh does not lack ambition and scale. But the effort shows...

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MOVIES: WHY THIS ADVENTURE FAILS

A scathing critique of Sonar Kellay Jawker Dhan by Shantanu Ray Chaudhuri, exploring how lack of imagination, poor ex...

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BOLLYWOOD: WHEN FAME MEETS REAL TALENT

Actors Long to Be Stars. Stars Yearn to Be Actors — Can the Twain Ever Meet?

Monoji...

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THOUGHT FACTORY: RECLAIMING SHOORPANAKHA, REWRITING EPIC SILENCE

What becomes of a mutilated woman? In her solo piece Shoorpanakha: A Search, Parshathy J Nath reclaims a silenced voi...

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ALTERNATIVE ENTERTAINMENT: THROUGH A MASTER’S LENS

Khalid Mohamed in conversation with the celebrated lensman, Rafique Sayed, on the vital essence of photograph...

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GENDER: THE LEGACY OF QUEER FILMS IN INDIA

From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...

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BUSINESS: IS BRANDING YESTERDAY? PASSE? DEAD?

A Radical Take on Branding: Monojit Lahiri endeavours to unravel a new-age, revolutionary, path-breaking philosophy put forth ...

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ALTERNATIVE ENTERTAINMENT: ABOUT PSYCHOANALYTIC MOTIFS

 

Devdutt Trivedi critiques David Cronenberg's Crimes of the Future Read More

THOUGHT FACTORY: STORIES DIVIDE, YET ALSO UNITE

In a media landscape divided by class and culture, two Indian shows—The Royals and Thukra Ke Mera Pyaar—reveal ho...

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GENDER: OF WOUNDS, WINGS, AND WOMEN

A Journey from Silence to Strength: Monojit Lahiri unfolds a moving, real-life story of a student who transcended society&rsqu...

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