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BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY

Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...

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BOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...

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POLITICS: ACTIVISM FOR EQUALITY AND JUSTICE

In the wake of recent events, notably the controversy surrounding the conferment of the Sangita Kalanidhi award upon TM Krishna by the Madras M...

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ALTERNATIVE ENTERTAINMENT: A POETIC DOCUMENTARY

This week it is O.P. Srivastava's tryst with temporality as he remembers Mani Kaul's documentary film, a masterpiece, Siddhesh...

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KALEIDOSCOPE: INDIA’S SOLE MUSLIM PARAM VIR CHAKRA AWARDEE

Vikram Khakhar's involvement underscores the importance of this project, which promises to shed light on a pivotal figure in Indian military hi...

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TRENDING: WELCOME TO ‘OK, TATA BYE BYE’

Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...

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POWERFUL PEOPLE: OF SERVICE TO WOODINVILLE

It is with great pride that I present to you Preeti Shridhar, who recently took charge as the elected representative in Woodinville, Washington...

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ALTERNATIVE ENTERTAINMENT: MUSIC OF THOUGHT AND IMAGINATION

It is Kumar Shahani's Khayal Gatha (The Saga of Khayal), a 1989 Indian experimental film written and directed by Kumar Shahani, that O....

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FESTIVALS: CRAFTING COMPELLING NARRATIVES

The annual workshop featured guest speakers including Subhash Ghai, Ishita Moitra, Raj Nidimoru, Shridhar Raghavan, Abbas Tyrewala, Durgesh Sin...

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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