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IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

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KANTARA, GANGUBAI, KUNCHACKO BOBAN, ALIA BHATT RATED BEST OF 2022

Indian Film Institute (IFI) has announced its annual ratings of the best films and best male and female actors of 2022, reports The Dai...

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DR BRIJESHWAR SINGH’S CALENDAR YEAR

Aparajita Krishna interviews Dr Brijeshwar Singh, one of the best known orthopaedic surgeons of Uttar Pradesh and understands ...

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MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

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Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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No Country For Minorities

Humra Quraishi points out the double standards adopted by the state when dealing with minorities in India.

A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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People Of Aligarh

Although the word ‘Aligarh’ shoots up images of only the University, there is more to that town, writes Humra Quraishi Read More

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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ILA ARUN: GIVING VOICE TO LIFE

Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna <...

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