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Signs of the times: She’s a street fighter

Humra Quraishi questions EVMs, expresses fear and helplessness among people with regard to dem...

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That Poisonous Bite

Khalid Mohamed reviews the BBC-commissioned series The Serpent on Charles Sobhraj, approves he...

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Poverty Rises: Millions Pushed Out of Middle Class

According to a report by Pew Research Centre, during the 2020 pandemic 32 million people were pushed out of the middle classes in India, report...

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Easter Reflections

Christians share their reflections with Monarose Sheila Pereira, this Easter. Over to them...

Signs of the times: You’re changing

Humra  Quraishi wonders if the bleak days will continue with new strains of the corona and the communal virus spreading.<...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

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KABHI BLOOD KABHI PIZZA

Khalid Mohamed shudders at the gorefest Chakravyuh, finds sweet relief in Gullak 2, and checks out the Oscar-nominated Sound o...

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When R.D. Burman met the Jazzman

Edited excerpts from the book Louis Banks: A Symphony of Love by Ashis Ghatak

As a young ...

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Begums on top, or nearly

Khalid Mohamed reviews the flawed and yet commendable Begums of Bombay, finds 1962: The War in...

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