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NEED FOR EQUITABLE GENDER REPRESENTATION IN HINDI CINEMA

A new research report by the School of Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, reveals that on-and-off-scr...

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STOP CALLING ME AN ACTRESS - I AM AN ACTOR!

Does calling actresses 'actors' robs them of their iconic glamour? Or is it a much-needed step to head towards a gender-neutral world? Read thi...

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NOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES

Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...

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THE AFTERMATH WILL OUTLIVE US

Humra Quraishi gives us the details of how many of the members of parliament in the present have cases against them of dacoity...

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DOES WATCHING ART-HOUSE CINEMA MAKE YOU…SUPERIOR??

Monojit Lahiri investigates on a topic, which a good, grounded and witty friend, one fine day, brought up in a discussion.

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KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

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Decolonizing The Caste Question

Vanshika Bhagat discusses the present status of Dalit converts to Islam and Christianity vis-a-vis reservation, which endeavor...

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REMEBERING BOLLYWOOD’S SEXIEST REBEL-STAR!

Junglee, Janwar, Budtameez, Bluff Master, Pagla Kahin Ka, Fan-boy Monojit Lahiri pays tribute to Bollywood’s flamboyant ...

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From King Lear to The Image Book: Jean-Luc Godard

The year was 1989, a print of Jean-Luc Godard's latest film, King Lear, an adaptation of William Shakespear's well known play was received by t...

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ACTING IS “LYING FOR A LIVING!”

Monojit Lahiri examines the background behind this loaded, apocryphal statement, alluding to the great Hollywood legend, Marlo...

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