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ACTOR ADVAIT KOTTARY WRITES HIS DEBUT NOVEL

Advait Kottary’s debut novel SIDDHARTHA: THE BOY WHO BECAME THE BUDDHA takes readers on a fictional journey through Buddha’s formative years, reports Th...

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KASHISH 2023 TO OPEN WITH ONIR’S PINE CONE

South Asia's biggest LGBTQ+ Film Festival to close with Canadian film When Time Got Louder, reports The Daily Eye Newsdesk

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FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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SHYAM BENEGAL’S JUNOON & A FOUR HOUR TRIP TO THE MOVIES

Sharad Raj, a filmmaker, shares a funny memory that continues to make him laugh even today, about a trip, in Lucknow, to see t...

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CAN MODELS…ACT??

Monojit Lahiri attempts to check out the blur between acting the art, and acting the glamour touch given to Bollywood cinema -...

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A FIRST DAWN BY SHARADA RAMANATHAN

Vidivaanam (a first dawn) explores a deeper reflection of very basic concern for our very existence through music, movement and verse, reflects...

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'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”