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The Varanasi mystique

A photo-essay by Ashis Ghatak, vivifying how the winter sets in on the holy city of Varanasi, on the banks of the River Ganges...

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Bond, Bollywood Bonds

Film historian Dhruv Somani, in the wake of the passing away of Sean Connery, chronicles the desi Bonds that were.

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Hot Sexy Movies…

Khalid Mohamed checks out a couple of Amazon Prime Video channel’s ‘hot, sexy movies’ and Zee 5’s Tais...

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SMM AUSAJA: Keeper Of Our Cine-Heritage & Memorabilia

SMM AUSAJA, our man in the frame, deserves not just this mere article, but perhaps books on him writes Aparajita Krishna.

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Tarkovsky’s Brilliant Images, Revisited

Khalid Mohamed finds solace in the book Instant Light: Tarkovsky’s Polaroids, comprising 60 images to live for.

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World, beautiful, world

Khalid Mohamed in conversation with photographer Babul Bhatt who focuses on the beautiful sides of cityscapes around the world...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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No Man is an island

Rinki Roy Bhattacharya writes that the relentless media coverage about the pandemic we are all stuck in was guaranteed to...

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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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