Signs of the time: Rape, the weapon of mass destruction

Humra Quraishi comments on the most recent rape of a nine-in-year old girl in the national capital of India and the ruthlessne...

Broken windows and promises

Humra Quraishi recalls her conversations with Abdul Ghani Lone, Maulana Abbas Ansari, Abdul Gani Bhat and Yasin Malik at separ...

Failed promises of the right wing: Andrzej Wajda

Sharad Raj transports you back to the film Ashes and Diamonds - an all-time masterpiece of Polish cinema, directed by one of the most important filmmakers,...

Reflecting humanity through the struggle of a woman: Federico Fellini

Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. <...

KABHI BLOOD KABHI PIZZA

Khalid Mohamed shudders at the gorefest Chakravyuh, finds sweet relief in Gullak 2, and checks out the Oscar-nominated Sound o...

Bengali Film Review: Dictionary

Well-known playwright, theatre activist/director, and film-maker/actor Bratya Basu’s film is well-intentioned but suffers from a muddled ...

How Photo Pollution Is Impacting Planet Earth

We have lost our connection to the night-time skies, the stories woven into star-studded skies, the sense of stillness, the awe of the twinklin...

Signs of the time: The Trolley Times

No New Years greetings from me to you. There is little to celebrate, writes Humra Quraishi

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Hard Day’s Night

Film historian Dhruv Somani, clocks into Bollywood films, which were set in a tension-packed time frame of 24 hours.

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