Memories of an advertising man…

In this fascinating first-person-account, Monojit Lahiri, known for his Bollywood-driven opinion pieces, tracks the changing c...

Hinduism, not Hindutva, was Nehru’s idea of India

Let us not be in any illusion. Being complacent basis the belief that there’s any sensitivity left in the discourse would be wrong, write...

Star! Music Director! Singer!... Lyricist.

Why is the songwriter always last in the ‘hit parade’? Monojit Lahiri attempts to tune-in on this little-explored ...

The magical language of Gulzar

Juhi Saklani looks at the way filmmaker, poet, lyricist and writer Gulzar creates language and immortalizes his words by makin...

Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...

Signs of the time: Rape, the weapon of mass destruction

Humra Quraishi comments on the most recent rape of a nine-in-year old girl in the national capital of India and the ruthlessne...

The 400 Blows - Run Antoine Run!

Vandana Kumar revisits François Roland Truffaut’s film, The 400 Blows and finds resonance with the complex way ad...

A Book of Tiny Flames

And each flame melting in its own heat, writes Janaky Sreedharan in her review of the book A Red-Necked Green Bird

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...