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INNOCENT UNTIL PROVEN GUILTY OR GUILTY UNTIL…

In these dark, stifling times, my thoughts go to many of the imprisoned citizens of India, most of them undertrials, writes Humra Qurai...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

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YOUR SILENCE IS NO ANSWER: POWERFUL VOICES SPEAK

Can filmmakers, journalists and artists be apolitical? Vinta Nanda talks to Joy Sengupta, Bishwadeep Dipak Chatterji, Urmi Juv...

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THE COMMONALITY BETWEEN OTT STARS AND EUROPEAN ACTORS

Monojit Lahiri investigates to find out if what OTT stars are to Bollywood today, is what European actresses were to Hollywood...

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HOW CAN YOU CELEBRATE WHEN YOUR COUNTRY BURNS?

The video surfacing reveals the torture and humiliation that not just the two women faced but thousands in Manipur have while the government re...

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‘KAIFI AUR MAIN’ KI KAIFIYAT

कैफ़ी और मैंकी...

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THE CURIOUS CASE OF BOLLYWOOD AND POLITICS

One’s been listening to viewers of The Kerala Story. The common refrain is, “Ye picture dekh kar Musalmano se darr lag raha hai! (A...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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WHERE THERE ARE NO WOMEN

As the month of March comes to an end, and with it so do the many celebrations around International Women’s Day, Humra Quraishi Read More